The Samurai Cop is here to kick ass and chew bubblegum, and he’s already infringed on enough movies and cliches so he’s just going to stop with that introduction right there.

Yes, the cop they call Samurai has travelled to Los Angeles from a faraway land they call San Diego. Because it would just make no sense to have the movie take place in San Diego, or to have the cop be from L.A. to start with. Or, y’know, Japan.

Why do they need the Samurai Cop in town? Because frankly, the chief was telling everybody how absurd his haircut was, and nobody would believe him, so he said “Look, I’ll have him come to town and you can see this damn thing for yourselves.” It is a work of art. If it seems like there’s a serious threat at any point in time, it’s going to leap off his head and start kicking ass on its own.

Samurai Cop is assigned a partner, whose main job appears to be mugging to the camera as the Samurai Cop punches people. Together, they’ve got to bust a gang whose stated goal is putting someone’s head on their piano. These villains are lead by Robert Z’dar, who will hopefully reinforce any piano he plans to put his own prodigious cranium on top of.

Decapitations, explosions, poorly subbed in stunt doubles, mangled dialogue, prominent lion heads, and unfortunate banana hammocks abound in this extremely eighties-y nineties movie. Join Mike, Kevin, Bill, and Alfonso Rafael Federico Sebastian for Samurai Cop!

Additional contributors:
Conor Lastowka - Senior Writer
Sean Thomason - Senior Writer

Contributing Writers: Molly Hodgdon, Jason Miller, Mike Schuster, and Joseph Scrimshaw

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